造物的奇迹 HD中字

片名:《造物的奇迹》

类型:科幻片

上映时间:1925

上映地区:其它

导演:Hanns,Walter,Kornblum

主演:Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl

集数: 更新至0集

语言:其它

【先机影视】分享1925年度热门好看的电影造物的奇迹，造物的奇迹是在其它地区上映的其它语言科幻片，由著名导演Hanns,Walter,Kornblum倾情指导拍摄，拿到了9.0的高分评价。

《造物的奇迹》观后点评：造物的奇迹的导演Hanns,Walter,Kornblum给观众带来一场非常震撼的视听体验，造物的奇迹有充满想象力的故事，造物的奇迹有充满创造力的画面，造物的奇迹带观众进入一个不一样的影视世界。

《造物的奇迹》抖音网友点评：造物的奇迹的精彩在于造物的奇迹的演员Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl，他们每个人在各自的位置发挥了自己应有的作用，将造物的奇迹的故事剧情演绎得生动鲜活，让造物的奇迹的角色深入人心。

造物的奇迹的剧情讲述了：Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.